Showing posts with label Copic. Show all posts
Showing posts with label Copic. Show all posts

Friday, July 16, 2010

Sakura Pigma Micron 05 and Brush sets of 8 pens initial test reference chart

Found these sets of 8 colored pens of Sakura Pigma Micron 05 (0.45 mm nibs) and Brush pens on clearance at the local Jo-Ann arts and crafts store. They feature nice bright colors, and their pen nibs glided fairly smoothly on the Rhodia dotPad paper. While it might be too soon to make a judgment about their durability, the Sakura Pigma brush nibs feel rather delicate and look thinner and smaller that Faber Castell Pitt Artist brush pen nibs.
Marks comparison chart and test doodles drawn on Rhodia dotPad. Since they feature colorful pigmented inks that are waterproof when dry, they could be used for labeling and some sketching that could be colored with watercolors afterwards without smearing the drawn outlines.Sample doodles sketched on Piccadilly blank journal. The numbers correspond to the pen color, but the actual name of the color is not listed anywhere on the pen barrel. The pen cap indicates the pen size "05" and ink color, and in the case of the brush pen they display the letters "BR" printed on the color coded circle. The opposite end of the pen has a small color matching plastic cap to facilitate its identification. I have seen reports that the pen cap identification markings tend to wear off with use, so it might help its longevity to close the cap by holding it on its sides every once in awhile rather than pushing down on the colored disk with your thumb every time. After changing the nib and ink refills a few times, I also noticed this issue with a 05 Copic Multiliner SP pen that I used for several months in my sketching kit. I had almost completely worn off the pen cap markings by rubbing it with my thumb every time I closed the pen. I tend to keep the Copic pens at home, and take the disposable Pigma pens on the road given their price difference.

Thursday, November 22, 2007

Doodling in the plane

One of the most effective ways to combat boredom during long flights is to doodle on a small sketchbook. The cramped spaces and bumpy flights can be a challenge, but with proper planning and the right tools you can let your mind wonder for hours as you explore different ideas and work out designs. To that end, I prefer aisle seats that give you a bit more legroom whenever there's no beverage service cart going by. A handful of pens and pencils with a small sketchbook (typically no larger than 7" X 10") are usually enough. Choose your pens carefully since some might leak especially when cabin pressure changes. From experience, I tend to pick gel ink pens and Copic multiliner SP pens. On this flight, I used mainly a Zebra "Fude" pen (pictured above) that came from the Calligraphy section of the Kinokuniya Stationary Store. After a quick test with a waterbrush, it was clear that the ink was waterproof when dried. Its flexible felt nib is ideal for creating organic lines and cartoon sketching. For pencils, a 0.7 mm Sakura Sumo Grip mechanical pencil was a good pick since it doesn't require sharpening and it's thick enough to limit lead breakage. Started with inspiration from the trip through China and San Francisco,
and then got ideas from Classic Greek Mythology and fantasy themes.
By this point, a young artist traveling next to me asked for some tips on how to draw eyes, mouth, and noses. So I did some sketches in pencil and pen to illustrate a couple of points on manga-style cartoon sketching.
She was already quite proficient in her sketches. Most artist regardless of skill-level and style can benefit from drawing from life and daily practice. The main issue with improving her rendition of eyes was to avoid the flat look of the the perfectly symmetric football-shaped eye with individual eyelashes (2nd example from the bottom right corner) . The eyes are not located on top of a flat surface, but roughly on the middle curved line across the head. For female eyes, it is usually more effective to have the outer corner of the eyes placed higher than the inner corner. Increasing the size of the reflection on the eyes gives a lively innocent look to the characters. Eyelashes are best depicted as a solid mass instead of individual lashes. Mouths for younger characters of both genders can be drawn as a simple curved line, and reserve depiction of full lips for older females wearing makeup. For older male characters avoid depicting the upper lip and use a broken gentle curve to depict the bottom of the lower lip below the mouth opening.